Zahid Hassan
Shagufta Gimmi has lived abroad for a long time, yet reading her Punjabi writings one feels as though she still lives in Punjab — or that Punjab lives within her. Her works are woven and vibrant in that way — and why should they not be? She is the gifted and renowned daughter of the committed Punjabi writer, linguist, thinker and storyteller Saleem Khan Gimmi, who devoted his entire life to the advancement of Punjab, Punjabi and Punjabi identity.
Shagufta Gimmi is herself a research scholar, translator and novelist; besides this, a book of hers entitled Cancer and Its Types has also been published. My own view is that for the enrichment of the Punjabi language there is great need to write on such diverse, excellent and new subjects so that good books in Punjabi may increase — and in this spirit she has also written another fine book on Punjabi folk songs and customs, which would be beautiful and valuable work to acquaint people across the world with the songs, customs and rites from birth to death in Punjab and with Punjabi culture and civilization. She has also translated into Urdu her father’s important book Punjab and Punjabi, and has written on research in universities.
Nowadays she is working on two other important fronts: one is a research-filled book on Guru Nanak’s Muslim companion and rabab-player Bhai Mardana, and alongside this she is doing excellent work entitled The Evolution of Punjabi Cinema.










